SCHEDULE
Sep 15 - Applications DUE
Sep 19 - Session 1 - introductions + Instrumental Q&A
Sep 28 - Session 2 - orchestrating for Hypercube with erin Rogers (90 mins)
Oct 5 - Session 3 - Writing about your work with BKT Education (90 mins)
Oct 7 - Early draft of piece DUE
Oct 8-10 - Individually scheduled lessons with Hypercube members
Oct 12 - Session 4 - Composer Whitney George (90 mins)
Oct 15 - Final draft of piece DUE
Oct 17-21 - Individually scheduled composer rehearsals with Hypercube
Nov 8-9 - Premiere concerts (online) + Farewells
Whitney George, Guest Composer
Sep 19 - Nov 9, 2025
Applications now open
Space is limited and applications are reviewed as they are received. First come first served.
Contact us with any questions. Please post & share!
Composers and performers will take part in 4 general lectures on composition and professional development. Ranging from lectures to workshops, these sessions will focus on orchestration, notation, improvisation, publishing, self-presentation, audience engagement, & collaboration in the arts. Sessions will be hosted by Hypercube members and special guests, including composer Whitney George, and arts consultants Jennifer Chu and Lucie Vágnerová of BKT Education. These sessions aim to provide CubeLab participants with tools to navigate careers in the field of contemporary music. The lab will culminate in 2 concerts of virtual premieres featuring new works by participants. These works will be audio/video recorded in high resolution and available to participants following the workshop. All sessions, workshops and rehearsals will be conducted virtually via Zoom.
INSTRUMENTATION
Guitar, Saxophone (SATB), Piano/Accordion, Percussion
FEES
Tuition for the entire CubeLab program is $975.
Composers and performers who would like to attend only the Composition and Professional Development sessions may do so for a fee of $180.
Limited scholarships are available.
Discounted rates for CubeLab alumni.
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Join us for CubeLab
Land Acknowledgement
Hypercube is based in Queens, New York, part of the original territory of the Lenni-Lenape, called “Lenapehoking.” The Lenape were violently displaced by European settler colonialists over the course of 400 years. The Lenape diaspora remains connected with this land and are its rightful stewards. Hypercube honors the many diverse indigenous peoples still connected to this land. During the colonial era and early federal period, many were removed west and north, but some also remain among the continuing historical tribal communities of the region: The Nanticoke Lenni-Lenape Tribal Nation; the Ramapough Lenape Nation; and the Powhatan Renape Nation, The Nanticoke of Millsboro Delaware, and the Lenape of Cheswold Delaware.
Statement on Equity and Inclusion
Hypercube presents affordable concerts of adventurous chamber music and seeks to create an inclusive and welcoming space for collaborators and audiences. We champion the work of living composers and commit to devoting at least 50% of our concert programming to the music of BIPOC, LGBTQIAP+, and woman-identifying composers. Additionally, Hypercube’s arts education programming serves early career composers and performers with the goal of honing their musical skills and deepening their understanding of the professional practices and cultural value of contemporary classical music. In the often exclusionary space that is contemporary classical music, Hypercube values radical inclusion. We welcome engagement with our programs by individuals of all ages, economic means, ethnicities, genders, physical ability, races, sexual orientations and any other element of identity. We are committed to providing opportunities for musicians from non-academic backgrounds and underrepresented communities through scholarships, diverse programming, affordable concerts, and performances in rural communities.